Tuesday, June 10, 2008

Whirrr...urrrrr: Cicada

Whirr...
approximately 3.5 x 5
Prismacolor

This was drawn from a picture taken by my daughter. The title is from the sound that these orange-eyed beasties make.

Tuesday, January 15, 2008

Daylily


Daylily
3.25" X 3.5"
Prismacolor Colored Pencil
on Drafting Film

This is probably my last drafting film piece for a while. It does produce more vibrant colors than the same application on paper with much less layering; however, I think I prefer paper as a support. That being said, it's not the end of my working with film, I'm just putting it aside for a while. Below is a list of the pros and cons that I have found when working with film. The main issues that I have with film are the layering limits and not being able to "fix" the work. Although I haven't tried it, I know others have with poor results. I can't think of any other way to get the semi-permanency that "fixing" a piece gives to colored pencil that would not have , I'm sure, a detrimental affect. For me, these two disadvantages outweigh all of the advantages.

Pros
  • Vibrancy of color

  • Transparency:
    –The ability to transfer drawings easily
    –The various effects produced by the ability to use various background colors for the backing of the film
    –The ability to apply color to both front and back (dependent on the type of film used)

  • Longevity/Strength: By it's very nature drafting film's plasticity makes it easier to handle without inconsequential damage as paper of relative thickness might be damaged with handling.

  • Can be carefully erased several times without staining the film (avoid erasing too deeply so that the workable tooth of the surface is not destroyed)

  • Thinness of the film makes achieving textures possible, like with a thin paper, by placing eith a textured surface or using textured paper underneath the film when drawing. I think the technique is called "rubbing" or frottage.

Cons
  • Subtlety of color is more of a challenge

  • The inability to layer as many colors as can be layered on paper

  • Cannot use a fixative because it would act much like a solvent and remove color from the film (Fixative is used on paper pieces to prevent wax bloom and set the color so that it doesn't smudge as easily)

  • Must avoid erasing too hard so that the workable surface of the film is not destroyed

Thursday, January 10, 2008

Ruler of the Roost

Ruler of the Roost
4" x 6"
Prismacolor Colored Pencil
on Dura-Lar Drafting film
January 9, 2008


This is done on drafting film. I thought I would work at a smaller scale for a few pieces so that I could finish pieces more quickly while experimenting with various techniques and supports. Anyone who has ever worked with CP knows how much time it takes to do a larger piece. I have met some people who can turn works this size out in about an hour, but I'll never be that speedy. This was done in about 4 hours from one of my own reference photos.

Thursday, September 27, 2007

Night Watch

"Night Watch"
FC Polychromos on Strathmore Textured Paper
Approximately 5x7

The following are stages of the work-in-progress. This drawing was completed on the 17th of September 2007. The reason I'm posting so late is that I've been busy with several other projects. This is another drawing created from a reference photo found in the WetCanvas! reference image library. I use reference photos from the RIL for studies and trials, but I create the majority of my works from my own reference photos.

Tuesday, September 11, 2007

Three More Graphite Portraits

I am trying to get a few portraits done to give as gifts, while I'm in portrait mode. These graphite portraits usually take about two days (10-16 hours) to complete because I'm extremely slow. Once I have all of these finished, I am going to attempt a CP portrait of each of my kids.


"Madison"
8 x 10 Graphite on
Canson Sketch Paper
Completed on 09-11-2007

"John"
8 x 10 Graphite on
Canson Sketch Paper
Completed 9-4-2007

"Jacob"
8 x 10 Graphite on
Canson Sketch Paper
Completed on 9-6-2007